Karl Böhm: Brahms - Symphony No. 1 in C Minor, ‘Un poco sostenuto - Allegro’ Op. 68
Karl August Leopold Böhm (28 August 1894 in Graz – 14 August 1981 in Salzburg) was an Austrian conductor. Particularly gifted in his interpretations of Wagner and Mozart, he is widely considered to be one of the greatest conductors of the 20th century. The son of a lawyer, Karl Böhm studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. (His father was originally a Sudeten German from Egerland, Bohemia, while his mother was from Alsace.) He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. In 1933 he conducted in Vienna for the first time, in Tristan and Isolde by Wagner. He succeeded Fritz Busch, who had gone into exile, as head of Dresden's Semper Opera in 1934, a position he held until 1942. This was an important period for him, in which he conducted the first performances of works by Richard Strauss: Die schweigsame Frau(1935) and Daphne (1938), which is dedicated to him. He also conducted the first performances of Romeo und Julia (1940) and Die Zauberinsel (1942) by Heinrich Sutermeister, and Strauss's Horn Concerto No. 2 (1943). In 1938 he took part in the Salzburg Festival for the first time, conducting Don Giovanni, and thereafter he became a permanent guest conductor. He secured a top post at theVienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos. After he had completed a two-year post-war denazification ban, Böhm led Don Giovanni at Milan's Teatro alla Scala (1948) and gave a guest performance in Paris with the Vienna State Opera company (1949). From 1950 to 1953 he directed the German season at the Teatro Colón in Buenos Aires, and he conducted the first Spanish performance of the opera Wozzeck by Alban Berg, translated into Spanish for the occasion. In 1953 he was responsible for the first performance of Gottfried von Einem's work Der Prozess. From 1954 to 1956 he directed the Vienna State Opera at its reconstructed home. He additionally resumed ties post-war in Dresden, at the Staatskapelle. Böhm made his debut at the Bayreuth Festival in 1962 with Tristan and Isolde, which he conducted until 1970. In 1964 he led Wagner's Die Meistersinger von Nürnberg there, and from 1965 to 1967 the composer's Der Ring des Nibelungen cycle, which was the last production by Wieland Wagner. These appearances resulted in critically acclaimed recordings of the Ring and Tristan. In 1965 Böhm conducted Fidelio in Tokyo. In 1971 he gave performances in Moscow and led Wagner's Flying Dutchman in Bayreuth. Böhm died in Salzburg. Perhaps Böhm's greatest contribution to music lay in bringing to life the operas of his close colleague Richard Strauss. He conducted the premieres of Strauss's late works Die schweigsame Frau (1935) and Daphne (1938), of which he is the dedicatee, recorded all of the major operas (but often made cuts to the scores), and regularly revived Strauss's operas with strong casts during his tenures in Vienna and Dresden, as well as at the Salzburg Festival... https://en.wikipedia.org/wiki/Karl_Böhm A link to this wonderful artists personal website: http://www.allmusic.com/artist/karl-böhm-mn0000182286/discography Please Enjoy! I send my kind and warm regards,
Karl August Leopold Böhm (28 August 1894 in Graz – 14 August 1981 in Salzburg) was an Austrian conductor. Particularly gifted in his interpretations of Wagner and Mozart, he is widely considered to be one of the greatest conductors of the 20th century. The son of a lawyer, Karl Böhm studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. (His father was originally a Sudeten German from Egerland, Bohemia, while his mother was from Alsace.) He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. In 1933 he conducted in Vienna for the first time, in Tristan and Isolde by Wagner. He succeeded Fritz Busch, who had gone into exile, as head of Dresden's Semper Opera in 1934, a position he held until 1942. This was an important period for him, in which he conducted the first performances of works by Richard Strauss: Die schweigsame Frau(1935) and Daphne (1938), which is dedicated to him. He also conducted the first performances of Romeo und Julia (1940) and Die Zauberinsel (1942) by Heinrich Sutermeister, and Strauss's Horn Concerto No. 2 (1943). In 1938 he took part in the Salzburg Festival for the first time, conducting Don Giovanni, and thereafter he became a permanent guest conductor. He secured a top post at theVienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos. After he had completed a two-year post-war denazification ban, Böhm led Don Giovanni at Milan's Teatro alla Scala (1948) and gave a guest performance in Paris with the Vienna State Opera company (1949). From 1950 to 1953 he directed the German season at the Teatro Colón in Buenos Aires, and he conducted the first Spanish performance of the opera Wozzeck by Alban Berg, translated into Spanish for the occasion. In 1953 he was responsible for the first performance of Gottfried von Einem's work Der Prozess. From 1954 to 1956 he directed the Vienna State Opera at its reconstructed home. He additionally resumed ties post-war in Dresden, at the Staatskapelle. Böhm made his debut at the Bayreuth Festival in 1962 with Tristan and Isolde, which he conducted until 1970. In 1964 he led Wagner's Die Meistersinger von Nürnberg there, and from 1965 to 1967 the composer's Der Ring des Nibelungen cycle, which was the last production by Wieland Wagner. These appearances resulted in critically acclaimed recordings of the Ring and Tristan. In 1965 Böhm conducted Fidelio in Tokyo. In 1971 he gave performances in Moscow and led Wagner's Flying Dutchman in Bayreuth. Böhm died in Salzburg. Perhaps Böhm's greatest contribution to music lay in bringing to life the operas of his close colleague Richard Strauss. He conducted the premieres of Strauss's late works Die schweigsame Frau (1935) and Daphne (1938), of which he is the dedicatee, recorded all of the major operas (but often made cuts to the scores), and regularly revived Strauss's operas with strong casts during his tenures in Vienna and Dresden, as well as at the Salzburg Festival... https://en.wikipedia.org/wiki/Karl_Böhm A link to this wonderful artists personal website: http://www.allmusic.com/artist/karl-böhm-mn0000182286/discography Please Enjoy! I send my kind and warm regards,