Sevcik Op.3 Var.25
First practice without the 'werfen' jerk motion on the sixteenths. Then play starting the sixteenths from slightly off the string. Staying flexible in the wrist and fingers almost causes the dotted articulation to happen as a natural result of the whipping motion of the fast down-up bowing of the figure. Using the natural doube-dribble of the bow bounce in one motion is what we are looking for. Harlem Globetrotters watch out! Kairos Practice Pals is provided by Kairos and the Central Washington University music department. Kairos Carrie Rehkopf, violin professor John Michel, cello professor Kairos regularly collaborates with several pianists and musicians as part of its residency at Central Washington University and Icicle Creek.
First practice without the 'werfen' jerk motion on the sixteenths. Then play starting the sixteenths from slightly off the string. Staying flexible in the wrist and fingers almost causes the dotted articulation to happen as a natural result of the whipping motion of the fast down-up bowing of the figure. Using the natural doube-dribble of the bow bounce in one motion is what we are looking for. Harlem Globetrotters watch out! Kairos Practice Pals is provided by Kairos and the Central Washington University music department. Kairos Carrie Rehkopf, violin professor John Michel, cello professor Kairos regularly collaborates with several pianists and musicians as part of its residency at Central Washington University and Icicle Creek.