Roland DSP2000 . Hi Presence Processor . EFX Applied to Parliament . P Funk [Wants To Get Funked Up
Video: P5120002 1920 96hz Ver01: Sony BDP-S790 DVD Player . Roland DSP2000 . Hi Presence Processor . An Effect Applied to the Original . Funkology - One Nation Under A Groove! . Disc 1 . Track 01 The application of spatializers and other psychoacoustic studio equipment as alternatives to surround sound processors. A series of videos exploring their settings and how they affect the perception of the original recording - the altered versions, alternate user defined (re)mixes. Timestamps: DSP2000 Effect: Cathedral [EFXS01] 00:00 . 100% Original 01:00 . 100% Original + 20% EFXS01 02:00 . 100% Original + 40% EFXS01 03:00 . 100% Original + 60% EFXS01 04:00 . 100% Original + 80% EFXS01 05:00 . 100% Original = 100% EFXS01 06:00 . 100% Original + 120% EFXS01 06:30 . 100% Original + 140% EFXS01 07:00 . 100% Original + 160% EFXS01 Roland DSP 2000 Hi Presence Processor 1988 This is a very rare unit by Roland. You won't find much info on it online, the only relevant info I found was from a sound on sound history of Roland. "Finally, in 1988, special mention must also be made of the DSP2000, which was perhaps Roland's only foray into the world of high-end domestic hi-fi. This was a surround system that took a conventional stereo signal and created a 3D image by delaying part of the signal and presenting this to a second amplifier driving a pair of rear speakers. A common concept in today's 5.1 surround world, this type of processing was not greeted warmly in 1988, and the DSP2000 wasn't imported or sold in significant quantities in the UK. For once, Roland had proved to be just a little too far ahead of the times". The DSP was designed for HiFi audio but was used far more by studio engineers and producers as a 20 bit programmable reverb unit. It is programmed by a remote control unit that has various functions including spacious settings, pre delay, HF damping and listening room conditions. I used this is a studio for years as a hi-presence reverb unit, sometimes just on vocals, occasionally when mastering to brighten up a recording. You won't find too many of these units any more.
Video: P5120002 1920 96hz Ver01: Sony BDP-S790 DVD Player . Roland DSP2000 . Hi Presence Processor . An Effect Applied to the Original . Funkology - One Nation Under A Groove! . Disc 1 . Track 01 The application of spatializers and other psychoacoustic studio equipment as alternatives to surround sound processors. A series of videos exploring their settings and how they affect the perception of the original recording - the altered versions, alternate user defined (re)mixes. Timestamps: DSP2000 Effect: Cathedral [EFXS01] 00:00 . 100% Original 01:00 . 100% Original + 20% EFXS01 02:00 . 100% Original + 40% EFXS01 03:00 . 100% Original + 60% EFXS01 04:00 . 100% Original + 80% EFXS01 05:00 . 100% Original = 100% EFXS01 06:00 . 100% Original + 120% EFXS01 06:30 . 100% Original + 140% EFXS01 07:00 . 100% Original + 160% EFXS01 Roland DSP 2000 Hi Presence Processor 1988 This is a very rare unit by Roland. You won't find much info on it online, the only relevant info I found was from a sound on sound history of Roland. "Finally, in 1988, special mention must also be made of the DSP2000, which was perhaps Roland's only foray into the world of high-end domestic hi-fi. This was a surround system that took a conventional stereo signal and created a 3D image by delaying part of the signal and presenting this to a second amplifier driving a pair of rear speakers. A common concept in today's 5.1 surround world, this type of processing was not greeted warmly in 1988, and the DSP2000 wasn't imported or sold in significant quantities in the UK. For once, Roland had proved to be just a little too far ahead of the times". The DSP was designed for HiFi audio but was used far more by studio engineers and producers as a 20 bit programmable reverb unit. It is programmed by a remote control unit that has various functions including spacious settings, pre delay, HF damping and listening room conditions. I used this is a studio for years as a hi-presence reverb unit, sometimes just on vocals, occasionally when mastering to brighten up a recording. You won't find too many of these units any more.