COBALTO (on Eroticism) IM-1 - choreography: Nacho Duato, music: Pedro Alcalde / Sergio Caballero
Choreographer: Nacho Duato Music: Pedro Alcalde / Sergio Caballero Organist: Juan de la Rubia Instrument: Blancafort Organ at the Collbató Church, Montserrat Set: Nacho Duato Costumes: Lydia Delgado Lighting: Brad Fields Dancers: Tamako Akiyama, Dimo Kirlov, Clifford Williams, Clyde Archer, Gentian Doda, Francisco Lorenzo, Ana María López, Yolanda Martín, Luisa María Arias, Ana Teresa Gonzaga Premiered by the Compañía Nacional de Danza (CND) 20-03-2009: Teatro de la Zarzuela, Madrid Performed in Spain, Austria, Germany, Holland, Argentina, France and USA Cobalto is a reflection on eroticism. The original idea explicitly expressed the desire to avoid clichés and to address the issue from the perspective of its abstract psychological process. Cobalto is a piece written for organ. The instrument is used without reference to its cultural and musical tradition. The different registers and mechanisms were treated with special attention: trackers sound, keys pressed halfway, the sound of the stop knobs and combination system and on and off of the electric wind system.
Choreographer: Nacho Duato Music: Pedro Alcalde / Sergio Caballero Organist: Juan de la Rubia Instrument: Blancafort Organ at the Collbató Church, Montserrat Set: Nacho Duato Costumes: Lydia Delgado Lighting: Brad Fields Dancers: Tamako Akiyama, Dimo Kirlov, Clifford Williams, Clyde Archer, Gentian Doda, Francisco Lorenzo, Ana María López, Yolanda Martín, Luisa María Arias, Ana Teresa Gonzaga Premiered by the Compañía Nacional de Danza (CND) 20-03-2009: Teatro de la Zarzuela, Madrid Performed in Spain, Austria, Germany, Holland, Argentina, France and USA Cobalto is a reflection on eroticism. The original idea explicitly expressed the desire to avoid clichés and to address the issue from the perspective of its abstract psychological process. Cobalto is a piece written for organ. The instrument is used without reference to its cultural and musical tradition. The different registers and mechanisms were treated with special attention: trackers sound, keys pressed halfway, the sound of the stop knobs and combination system and on and off of the electric wind system.